Art & Art History
Catalogue of an exhibition at the Trout Gallery, February 21 - April 12, 2014.
Senior Exhibit, Art and Art History Department, Prof. Phillip Earenfight, Dickinson College.
In Letters & Lines, the exhibition co-curators examine a number of questions posed by the integration of text and image in Renaissance and Baroque prints. [from introduction by Phillip Earenfight]
Table of Contents
Letters & Lines: An Introduction to Text and Image in the Pictorial Arts / by Phillip Earenfight.
Jan Lutma the Younger: Posteritati / by Dana Angotta.
The Seven Vices: Sinful Symbolism of Animals / by Victoria Côté.
“Who Withholds Corn, the People Curse, but Blessings Upon He Who Sells It”: Daniel Hopfer and Imperial Augsburg / by Chloe Cunningham
Crispijn de Passe the Elder & Maarten de Vos: The Four Elements / by Taylor Evertsberg
Frame & Function: Framing Devices in Northern Prints / by Diamond McClintock
Sebald Beham and The Iconography of the Liberal Arts / by Victoria Schonfeld
A Refined Art: Pieter Bruegel the Elder’s Proverbs / by Benjamin Slyngstad
Self-Portraiture, Autonomy, and Text: Anthony Van Dyck’s etching of Titian and His Mistress / by Lauren Wyman
Earenfight, Phillip, et al. Letters & Lines: Text and Image in Northern Renaissance & Baroque Prints. Carlisle, Pa.: The Trout Gallery, Dickinson College, 2014.